Keine Produkte in der Technikliste.
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Leitz HUGO FF Primes -
Atlas Lens Mercury 1.5x Full Frame Anamorphic -
DPB70 Parallel Beam Light Head -
ALEXA35 -
KLT-Rental Studio
KLT RENTAL Film Equipment Germany-Austria-Croatia
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Aputure STORM XT52
Overpower daylight with the most powerful point source LED fixture in the industry, with both tunable white and color capabilities.
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ARRI SkyPanel X
Introduced as a modular system and configurable into different sizes (X21, X22, X23), SkyPanel X offers native soft and hard light technology, setting a new bar not only in terms of dimming and color science, but also in light output and beam quality for medium to long throws. With up to 4,800 lux at...
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Atlas Lens Mercury 1.5x Anamorphic Full Frame Lenses
Atlas Lens Mercury 1.5x Anamorphic Full Frame Lenses 36mm 42mm 54mm 72mm 95mm 138mm
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STORM 80c 3-Light Kit
The Aputure STORM 80c 3-Light Kit is an all-in-one professional lighting toolkit—three STORM 80c lamps featuring the BLAIR-CG light engine, Hyper Reflectors, CF4 Fresnels with Barn Doors, Mini Lantern Diffusers, the Light Dome 40 Diffuser, Bowens Adapter, Handheld Bracket, battery cables, and mounting clamps, all in a hard-shell rolling case.
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Cooke SP3 lenses
Focal length range: 25mm / 32mm / 50mm / 75mm /100mm Format: Full Frame (S35 compatible) Mount: Interchangable: E (fitted) RF (supplied when available), L (available as accessory), Speed: T2.4 Form: Small and lightweight yet finished in tough anodised shell Scale: Dual Focus scales Compatibility: Matched to Panchro/i Classic series
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Lightstream PB70 parallel beam HMI 1200W
DPB70 TECHNICAL DATA Overall outer dimensions: 92 x 100 x 62 cm Weight: 49.8 kg (109.8 lb) Light source: special design, 1200W metal halide lamp with G22 socket specially adapted for function within the DPB70 light fixture Power consumption: 1200 W
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Leitz HUGO FF Primes
The Leitz HUGO lenses are designed to be small, fast, lightweight and as close focusing as possible with the full character of the Leica M lens glass creating character at capture. The initial set of 7 full frame lenses ranges from 18 to 135 mm, all T1.5,There is a 50 mm T1.0 lens also available.
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DJI Ronin 4D-6K
Highly Integrated Modular Design Full-Frame Gimbal Camera 6K/60fps and 4K/120fps Internal ProRes Recording 4-Axis Active Stabilization LiDAR Focusing Wireless Transmission and Control System
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COOKE Anamorphic/i Full Frame Plus 1,8x
The Anamorphic/i Full Frame Plus Standard and SF (Special Flare) prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh. Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. At 2x squeeze you would lose too...
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ARRI Alexa35
Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array 4608 x 3164 27.99 x 19.22 mm / 1.102x 0.757" Ø 33.96 mm / 1.337" ARRIRAW 4.6K 3:2 Open Gate: 35 / 75 fps ARRIRAW 4.6K 16:9 - 4.6K: 45 / 75 fps ARRIRAW 4K 16:9 - 4K: 55 / 120 fps ARRIRAW 4K 2:1 - 4K:...
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Denz OIC FF - Motivsucher/Director's Viewfinder
A native image is always closer to reality than a digital image. The DENZ OIC FF is the first choice on set or location, where an optical viewfinder for full frame is concerned. The OIC FF is switchable from spherical to anamorphic with de-squeeze factors of 1.5, 1.8 and 2.0 available and others upon...
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Cooke S7/i T2.0 Full Frame Plus Primes
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). Shoot 35mm / Super 35mm formats, full frame, VistaVision and beyond - all with The Cooke Look®. We have you...
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ARRI Orbiter
Orbiter technical drawing Optical System Changeable optics Light Aperture 42 mm / 1,66", without optics Beam Angle 80° Half Peak Angle, without optics Weight Fixture only: 11,7 kg / 25.8 lbs Manual Version: 14,2 kg / 31.3 lbs Pole Op Version: 14,9 kg / 32.9 lbs Handling Aluminum yoke with quick release, high strength tilt lock, pole operation option (pan and tilt) Mounting 28...
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Zeiss Supreme Radiance T1.5: 21/25/29/35/50/85/100mm
ZEISS Supreme Prime Radiance lenses enable cinematographers to create beautiful, consistent and controlled flares in the image while maintaining contrast and avoiding transmission loss. Yet, they offer all attributes of a modern cinema lens: large-format coverage, high speed, robustness and smooth and reliable focus – all in a small, light-weight package. ZEISS Supreme Prime Radiance...
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Astera Hyperion Tube 2m
Nach dem enormen Erfolg der Titan Tube stellt Astera im Sommer 2019 die 2 Meter lange Hyperion Tube vor. Sie verfügt über die doppelte Anzahl LEDs, Akkuzellen, Heiligkeit und Pixel und bietet den die gleichen hochqualitativen Farben und Weißtöne und die gewohnte Steuerung mit App, CRMX und verkabelter DMX Option.
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KLT Rental Studio
-120qm Studiofläche -9m x 6m Hohlkehle mit 4,5m höhe -Vorhang wahlweise schwarz, blau, grün entlang der Hohlkehle -Vorhang schwarz rundum -6 Motoren mit je 650kg Last Maskenraum (Klimatisiert) Garderobenraum (Klimatisiert) Aufenthaltsraum /Regie (Klimatisiert)
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ARRI Signature Primes
The ARRI Signature Prime range is the first cine lens series to feature machined magnesium lens barrels, making the optics incredibly lightweight and robust. They are also the first to incorporate ARRI’s next-generation LDS-2 Lens Data System, with high data rates and absolute encoders for fast initializing. LDS-2 extends the possibilities of lens data...
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ARRI Alexa Mini LF
ARRI Alexa Mini LF Im Verleih bei Kameraverleih Licht und Ton, KLT Rental. Die ARRI ALEXA Mini LF kombiniert den kompakten Bau der ALEXA Mini mit dem großformatigen ALEXA LF-Sensor. Die Mini LF bietet beste Bildqualität und Flexibilität für groß angelegte Drehs dank 3 eingebauten, motorisierten FSND-Filtern, 12 V Spannungsversorgung, zusätzlichen Power-Outputs, einem neuen Codex Compact-Drive...
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SONY FXW-FX9 kamera
Der 6K-Vollformatsensor der Kamera ermöglicht erstklassige Aufnahmen in den Auflösungen DCI 4K*, Ultra HD und HD. Die leistungsstarke Bildverarbeitung mit Debayering und Oversampling gewährleistet eine Bildqualität, die über die Grenzen herkömmlicher Super-35-mm-Sensoren hinausgeht. Der rückwärtig belichtete CMOS-Bildsensor nutzt außerdem die Exmor R-Technologie von Sony, um Empfindlichkeit und Rauschunterdrückung zu verbessern. Im Vergleich zu einem...
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Sony FX6 kamera
The Sony FX6 provides cinematic expression to professional filmmakers and freelancers of tomorrow. With a light and modular body, it seamlessly adapts to your style of shooting without compromising on video quality. It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800...
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``Film equipment with crew from a single source``

Generator, Sprinter, truck...
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Film equipment rental Munich Zagreb Innbruck

Gaffer, lighting crews Munich
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Film equipment rental Munich, Zagreb & Innsbruck

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Film equipment rental Munich, Zagreb & Innsbruck

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