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ARRI SkyPanel X

Introduced as a modular system and configurable into different sizes (X21, X22, X23), SkyPanel X offers native soft and hard light technology, setting a new bar not only in terms of dimming and color science, but also in light output and beam quality for medium to long throws. With up to 4,800 lux at...

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Atlas Lens Mercury 1.5x Anamorphic Full Frame Lenses

Atlas Lens Mercury 1.5x Anamorphic Full Frame Lenses 36mm 42mm 54mm 72mm 95mm 138mm

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Cooke SP3 lenses

Focal length range: 25mm / 32mm / 50mm / 75mm /100mm Format: Full Frame (S35 compatible) Mount: Interchangable: E (fitted) RF (supplied when available), L (available as accessory), Speed: T2.4 Form: Small and lightweight yet finished in tough anodised shell Scale: Dual Focus scales Compatibility: Matched to Panchro/i Classic series

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Lightstream PB70 parallel beam HMI 1200W

DPB70 TECHNICAL DATA Overall outer dimensions: 92 x 100 x 62 cm Weight: 49.8 kg (109.8 lb) Light source: special design, 1200W metal halide lamp with G22 socket specially adapted for function within the DPB70 light fixture Power consumption: 1200 W

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Leitz HUGO FF Primes

The Leitz HUGO lenses are designed to be small, fast, lightweight and as close focusing as possible with the full character of the Leica M lens glass creating character at capture. The initial set of 7 full frame lenses ranges from 18 to 135 mm, all T1.5,There is a 50 mm T1.0 lens also available.

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DJI Ronin 4D-6K

Highly Integrated Modular Design Full-Frame Gimbal Camera 6K/60fps and 4K/120fps Internal ProRes Recording 4-Axis Active Stabilization LiDAR Focusing Wireless Transmission and Control System

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Tribe7 Blackwing T-Tune 20,7, 27, 37, 47, 57, 77, 107, 137mm

Purpose-designed for large format motion picture imaging, BLACKWING7 lenses from TRIBE7 represent an entirely new range of tuned optics for contemporary film makers to use within their creative story telling. BLACKWING7 optics exhibit unique imaging properties which arise from the introduction of controlled distortion during the development and manufacturing processes. This distortion is modular and...

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ARRI Signature zoom lens 16-32mm

-Length 21,2cm -T-stop T2.8 -Front diameter 156mm -Weight 3,5kg -Close focus 19,4cm

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ARRI Signature Zoom lens 24-75mm

-Lenght 24,4cm -T-stop T2.8 _Front diameter 114mm -Weight 4,1kg -Close focus 41cm

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ARRI Signature Zoom Lens T2.8 45-135mm

Compact, lightweight and well-balanced for handheld and stabilizer systems Length: 30 cm / 11.8” T-stop: T2.8 Front diameter: 114 mm (same as Signature Primes) Weight: 3.7 kg / 8.2 lbs. Close focus: 65.6 cm / 25.8"

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Sony FX3 kamera

he ILME-FX3 leverages technology from Sony’s industry-leading VENICE cinema camera and marries it with the best of Sony’s innovative Alpha mirrorless camera technology. It features a 10.2 MP full-frame back-illuminated Exmor R™ CMOS sensor that delivers a 15+ stop wide dynamic range with high sensitivity and low noise. Leveraging the colour science of VENICE,...

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ARRI HI-5 Wireless control unit

The Hi-5 provides remote camera setup capabilities for ARRI and third-party cameras. ARRI camera control is pre-installed and included at delivery. Four Advanced Licenses announced : Camera control for RED Camera control for Sony Cinefade support Cine RT support (Focusbug) Package contains: 1x Hi-5 Hand Unit 1x Bluetooth Dongle 1x Blank Smart Focus Ring 1x RF-EMIP Radio Module 2400MHz DSSS 2x LBP-3500 Battery 1x LBP Charger 1x...

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Creamsource Vortex 8

Creamsource Vortex8 Specs Creamsource Vortex 8 Abmessungen 690 x 380 x 121mm / 27.2" x 15" x 4.8" (ohne Yoke) Kopfgewicht 13.7kg / 30lb Schutzklasse IP65 Abstrahlwinkel nackt 20° Maximal zulässige Umgebungstemperatur 40°C Creamsource Vortex 8 Merkmale Eine hochwertige, leistungsstarke 2×1...

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Sony Venice 2

VENICE 2 features one of two 36 x 24‑mm full-frame image sensors, designed speciﬁcally for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and color rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original...

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ARRI Alexa35

Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array 4608 x 3164 27.99 x 19.22 mm / 1.102x 0.757" Ø 33.96 mm / 1.337" ARRIRAW 4.6K 3:2 Open Gate: 35 / 75 fps ARRIRAW 4.6K 16:9 - 4.6K: 45 / 75 fps ARRIRAW 4K 16:9 - 4K: 55 / 120 fps ARRIRAW 4K 2:1 - 4K:...

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FUJINON Premista 80-250mm T2.9-3.5 Zoom Lens

FUJINON – Premista 80-250mm T2.9-3.5 Zoom Lens: The Premista 80-250mmT2.9-3.5 is a telephoto zoom lens with a focal length of 80-250 mm. It achieves an impressive optical quality and suppresses unwanted stray lights and shadows. The Premista80-250mm can be combined with the Premista28-100mm to form a kit that covers the most commonly used focal length between...

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FUJINON Premista Zoom 28-100mm T2.9

The Premista 28-100mm, the first of the series to hit the market, is a standard zoom lens with a focal length of 28-100mm. This corresponds to 6 prime lenses * 1, which saves both money and time by frequently changing the lenses. Thanks to the use of an aspherical lens with a large diameter...

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IBE Effect Filters

In film technology, filters have always helped camera operators to design their films. They have continually been a very useful device to create an unique and outstanding look. Now, IB(E Optics offers a number of new Optical Filters that can design the most diverse flares in backlight and therefore provide a helpful tool for...

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COOKE Anamorphic/i Full Frame Plus 1,8x

The Anamorphic/i Full Frame Plus Standard and SF (Special Flare) prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh. Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. At 2x squeeze you would lose too...

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Denz OIC FF - Motivsucher/Director's Viewfinder

A native image is always closer to reality than a digital image. The DENZ OIC FF is the first choice on set or location, where an optical viewfinder for full frame is concerned. The OIC FF is switchable from spherical to anamorphic with de-squeeze factors of 1.5, 1.8 and 2.0 available and others upon...

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Praktisch jedes drahtgebundene Mikrofon kann ein Mitspieler im 2000er-Ensemble von Sennheiser werden. Dieser Aufstecksender macht es möglich. Fünf Frequenzbereiche mit bis zu 75 MHz Schaltbandbreite sorgen wie bei allen Komponenten der 2000er Serie für optimale Flexibilität. Die Synchronisation der Sendereinstellungen ist auch beim SKP 2000 einfach und zeitsparend via Infrarot möglich. Ausgestattet mit dreifach umschaltbarer Sendeleistung und Phantomspeisung, ist er äußerst vielseitig einsetzbar.

Features

20 Festfrequenzbänke mit bis zu 64 kompatiblen Presets
6 Bänke mit je bis zu 64 frei durchstimmbaren Kanälen
Frequenzeinstellung in 25-kHz-Schritten
Pilotton-Squelch für störungsfreien Betrieb
48V-Phantomspeisung zuschaltbar
Auto-Lock-Funktion gegen versehentliche Tastenbetätigung
Audio und HF MUTE-Funktion zum Stummschalten der Sender
Abmessungen: 105 x 43 x 43 mm
Audio-Übertragungsbereich: 80 &8211; 18000 Hz
Klirrfaktor bei 1KHz: < 0,9 %
Gewicht: 195 g
Geräuschpegelabstand: ø 120 dBA (@ 1 mV Maximalabweichung)
HF-Frequenzbereich: 516...865 MHz

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Sennheiser SKP 2000 Aufstecksender

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