Introduced as a modular system and configurable into different sizes (X21, X22, X23), SkyPanel X offers native soft and hard light technology, setting a new bar not only in terms of dimming and color science, but also in light output and beam quality for medium to long throws. With up to 4,800 lux at...
Focal length range: 25mm / 32mm / 50mm / 75mm /100mm
Format: Full Frame (S35 compatible)
Mount: Interchangable: E (fitted) RF (supplied when available), L (available as accessory),
Speed: T2.4
Form: Small and lightweight yet finished in tough anodised shell
Scale: Dual Focus scales
Compatibility: Matched to Panchro/i Classic series
DPB70 TECHNICAL DATA
Overall outer dimensions: 92 x 100 x 62 cm
Weight: 49.8 kg (109.8 lb)
Light source: special design, 1200W metal halide lamp with G22 socket specially adapted for function within the DPB70 light fixture
Power consumption: 1200 W
The Leitz HUGO lenses are designed to be small, fast, lightweight and as close focusing as
possible with the full character of the Leica M lens glass creating character at capture. The
initial set of 7 full frame lenses ranges from 18 to 135 mm, all T1.5,There is a 50 mm T1.0 lens also available.
Highly Integrated Modular Design
Full-Frame Gimbal Camera
6K/60fps and 4K/120fps Internal ProRes Recording
4-Axis Active Stabilization
LiDAR Focusing
Wireless Transmission and Control System
Purpose-designed for large format motion picture imaging, BLACKWING7 lenses from TRIBE7 represent an entirely new range of tuned optics for contemporary film makers to use within their creative story telling.
BLACKWING7 optics exhibit unique imaging properties which arise from the introduction of controlled distortion during the development and manufacturing processes. This distortion is modular and...
Compact, lightweight and well-balanced for handheld and stabilizer systems
Length: 30 cm / 11.8”
T-stop: T2.8
Front diameter: 114 mm (same as Signature Primes)
Weight: 3.7 kg / 8.2 lbs.
Close focus: 65.6 cm / 25.8"
he ILME-FX3 leverages technology from Sony’s industry-leading VENICE cinema camera and marries it with the best of Sony’s innovative Alpha mirrorless camera technology. It features a 10.2 MP full-frame back-illuminated Exmor R™ CMOS sensor that delivers a 15+ stop wide dynamic range with high sensitivity and low noise. Leveraging the colour science of VENICE,...
The Hi-5 provides remote camera setup capabilities for ARRI and third-party cameras. ARRI camera control is pre-installed and included at delivery.
Four Advanced Licenses announced :
Camera control for RED
Camera control for Sony
Cinefade support
Cine RT support (Focusbug)
Package contains:
1x Hi-5 Hand Unit
1x Bluetooth Dongle
1x Blank Smart Focus Ring
1x RF-EMIP Radio Module 2400MHz DSSS
2x LBP-3500 Battery
1x LBP Charger
1x...
VENICE 2 features one of two 36 x 24‑mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and color rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original...
FUJINON – Premista 80-250mm T2.9-3.5 Zoom Lens:
The Premista 80-250mmT2.9-3.5 is a telephoto zoom lens with a focal length of 80-250 mm. It achieves an impressive optical quality and suppresses unwanted stray lights and shadows.
The Premista80-250mm can be combined with the Premista28-100mm to form a kit that covers the most commonly used focal length between...
The Premista 28-100mm, the first of the series to hit the market, is a standard zoom lens with a focal length of 28-100mm. This corresponds to 6 prime lenses * 1, which saves both money and time by frequently changing the lenses. Thanks to the use of an aspherical lens with a large diameter...
In film technology, filters have always helped camera operators to design their films. They have continually been a very useful device to create an unique and outstanding look. Now, IB(E Optics offers a number of new Optical Filters that can design the most diverse flares in backlight and therefore provide a helpful tool for...
The Anamorphic/i Full Frame Plus Standard and SF (Special Flare) prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh.
Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. At 2x squeeze you would lose too...
A native image is always closer to reality than a digital image. The DENZ OIC FF is the first choice on set or location, where an optical viewfinder for full frame is concerned. The OIC FF is switchable from spherical to anamorphic with de-squeeze factors of 1.5, 1.8 and 2.0 available and others upon...
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle).
Shoot 35mm / Super 35mm formats, full frame, VistaVision and beyond - all with The Cooke Look®. We have you...
The Zoom Main Unit ZMU-3A is a handgrip zoom controller that can be mounted on tripod pan arms while being connected to camera and motor. It includes a force sensitive zoom knob that assistants&8216; thumbs all over the world are familiar with.
Versatile Functions
Zoom speed can be precisely adjusted and zoom limits can be set. A large bar graph shows zoom position, zoom speed and various status messages, and a ZAP button allows for a quick zoom-in for focus check. A switch changes the running direction of the attached lens motor. The RUN switch starts recoding on film and digital cameras.
Tethered or Wireless Operation
ZMU-3A can be connected directly to an ARRI CLM-2, CLM-3 or CLM-4 lens motor and power source. Alternatively, it can be connected with the UMC-4 motor controller or any ALEXA camera that includes the Plus Module. The optional Wireless Zoom Extension WZE-3 allows wireless operation of the ZMU-3A. In any case, the ZMU-3A can be used in parallel with WCU-4.